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sociation with different gods or goddesses (such

as Bes and Hathor), rather than the street walker

that the modern mind imagines) advertised herself

through her clothing and make up. Some of these

women wore blue faience beaded fish-net

dresses. They painted their lips red, and tat-

tooed themselves on the breasts or thighs

and even went around totally nude. There is no

evidence that these women were paid for these

fertility-related acts, so some believe that word

‹prostitute› is probably an incorrect term for these

women. In fact, the Victorian era theory that these

women were prostitutes is not backed up by evidence

at all. All archaeological evidence for women with

such tattoos shows them to have been New

Kingdom female musicians or dancers.

Another idea pointed by Daniel Kolos, an Egyp-

tologist academically trained at the University of

Toronto, is that this premarital sexual activity might

be a prerequisite for marriage. One of the the-

ories that disassociates these women from

being prostitutes, is that their sexual activity

could be part of a “coming-of-age ritual”, just

as circumcision was one for males. With

Egypt’s heavy emphasis on fertility as the

defining nature of a man or a woman, this

idea is a highly likely probability.

Other theories could be that the young

virgin girls joined itinerant performing

groups - dancers, singers and the like - and

during their time with these groups they

experienced their first sexual encounters. If

a girl became pregnant, she would probably leave the

troupe to head home to her family with proof of her

fertility. (Motherhood was venerated, giving a woman

a much higher status in society, so pregnancy was

something to be proud of in ancient Egypt.)

These travelling groups of women were strongly

linked with midwifery and childbirth-related de-

ities. The goddesses Isis, Nephthys, Meskhen-

et and Heqet disguised themselves as itinerant

performers, travelling with the god Khnum as their

porter. Carrying the sistrum and

menat

 instruments

- instruments with sexual overtones - they showed it

to Rawoser, the expectant father. Knowing that his

wife, Raddjedet, was having a very difficult labor, he

told these women - the disguised goddesses - about

his wife’s troubles, and at their offer of help, he let

them in to see her.

These women do not seem to be pay-for-sex prosti-

tutes, instead they seem to be a link with the divine, a

helper of expectant mothers and singers, dancers and

musicians. This is not to say that there were no pay-

for-sex prostitutes in ancient Egypt, it just that there is

little evidence of this found. Considering Egypt’s very

different image of sexuality, the modern concept of

both sexuality and prostitution do not fit this ancient

society. Women operated under a totally different

cultural imperative than women today, thus ancient

Egyptian sexuality must be looked at without modern

prejudices. It seems that these female performers,

these ‘prostitutes’, were treated with courtesy and

respect, and there seemed to be a well-established

link between these travelling performers and fertility,

FEBRUARY 2018 -

SEXY GLAM

MAGAZINE -

79